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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, one half of the pioneering 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He subsequently founded the innovative electronic act The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that show, Ball appeared in a mobility chair, as he had for the previous couple of years, following a period of health issues.

"I ended up injure myself quite a bit," he commented in a recent interview. "I fractured spinal bones in my spine and cracked about multiple ribs and broke my arm."

Following catching a lung infection and developing sepsis, he was put in an induced coma and remained in hospital for seven months.

However, he had been in "a great place mentally" over the summer, as he worked on a fresh record with Almond, titled Danceteria, which is scheduled for release in the coming year.

"He was concentrated and very pleased with the latest project that we literally finished only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the fact that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an immense aspect of my life and for the music you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is different from being in a band, the bond is very tight," he continued.
"That was the case with us. We went through so many remarkable, extraordinary, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Born into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, together with his younger sister Susan, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly recorded an EP.

Musical Partnership

The pair were an distinctive pairing: Ball was the reserved musician, hunched over his keyboard, while Almond was a charismatic showman, all glitter and makeup; but they achieved a unique musical alchemy.

Ball had cultivated a fascination with synthesizers after viewing Kraftwerk perform on a television program a popular series, and began to marry dark electronica to the soaring melodies Almond was composing.

Tainted Love became the United Kingdom's second biggest-selling single of 1981, selling millions of copies globally. Together with successful tracks by other artists, Human League and electronic acts, it helped cleared the path for the synth-pop sound of the 1980s.

The song was also included on their first album, Non-Stop Erotic Cabaret, which spawned two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Professional Journey

Fame had its benefits. "I enjoyed being able to afford my first home, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago shared with a music magazine.

But it also caused challenges. "Sudden riches meant we could purchase substances to alleviate the boredom" of media interviews and television shows, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to produce a second memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before ending the band to focus on individual endeavors.

Almond went on to have a successful individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the charting album Cruelty Without Beauty.

Following another hiatus, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on 30 September, that year.

However, they remained together, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently described the band's new album as a tribute to the New York club scene they visited while recording their initial records.

He noted that his time in medical care had influenced the group's music.

"I had unusual memories when I was coming and going of hospital because I was on pain medication," he told a publication.
"Our latest tracks are a digital reflection of the sounds in my head from those days.
"Simultaneously, it's about the experiences we got up to in the 1980s."

The last versions were completed only a short time before Ball passed away. It is due for release in the spring of 2026.

The writer

Sharon Riley

A software engineer and tech writer passionate about AI ethics and open-source projects, with over a decade of industry experience.

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